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VII. Conserving Modern and Contemporary Art -- 38. The Structural Treatment of Modern and Contemporary Canvas Paintings: Changing Approaches and Considerations / Mary H. Gridley -- 39. Wax-Resin Extraction Traction on a Late Georges Braque Still Life / Desirae Dijkema and Bradford Epley -- 40. Local Treatments of Cupped Cracks in Contemporary Paintings and Their Appearance after Twenty-One Years/ Mary Piper Hough and Stefan W. Michalski -- VIII. Posters -- 41. Waxing Historical: Preliminary Insights into Wax-Resin Lining Practices at the Brooklyn Museum/ Lauren Bradley and Josh Summer -- 42. The Greenwich Conference on Comparative Lining Techniques, April 23, 24, and 25, 1974: Three Days That Changed Conservation/ Joyce Hill Stoner -- 43. A Roman Technique of Open-Weave Canvas Lining/ Emma Kimmel -- 44. A Method for Remounting Lined Paintings Using Beva 371 Film / Elizabeth Court, Alexis Miller, and Bianca Garc̕a --- 45. On Color Change in Seventeenth-Century Netherlandish Paintings after Wax-Resin Lining / Emilie Froment -- 46. Historical Canvases Deciphered: Five Case Studies / Helena Loermans -- 47. A System to Keep Paintings on Canvas at a Constant Tension during Conservation Treatment/ Luigi Orata -- 48. Removing Beeswax Residues from the Structure of the Canvas with AEROSIL / Marina Voronina, Ekaterina Morozova, and Maria Churakova -- 49. Analysis of Evolon CR as a Poulticing Agent for Wax-Resin Lining Adhesives: Py-GCMS, BET, and SEM Analyses of Used Evolon CR Tissues / Julianna Ly, Chun Liu, Jing Qu, Gerald Poirier, and Matthew Cushman -- 50. Various Recipes of Wax Resin for Lining Used in Japan and How the Recipe Affects Removal / Saki Kunikata, Takayasu Kijima, and Masahiko Tsukada -- 51. An Insight into the Limits and Possibilities of the Biological, Chemical, and Mechanical Performance of Glue-Paste Lined Paintings / Laura Fuster-L̤pez, Cecil Krarup Andersen, Nicolas Bouillon, Fabien Fohrer, Matteo Rossi-Doria, Mikkel Scharff, Kate Seymour, ℓngel Vicente-Escuder, Dolores Julia Yus̉-Marco, and Sof̕a Vicente-Palomino -- 52. The Structural Treatment of Titian's Rape of Europa: Extending the Life of a Two-Hundred-Year-Old Glue-Paste Lining / Courtney Books, Corrine Long, and Gianfranco Pocobene -- 53. Relining The Menagerie van Prince Willem V / Carlota Barbosa, Leonora Burton, Kristin Rattke, Kate Seymour, Eva Tammekivi, and Jos van Och -- 54. Evaluating Structural Treatment Options for an Untensioned Oil Painting on Canvas / Marie-Ȟl̈ne Nadeau -- 55. Conservation and Restoration of The Crucifixion, an Eighteenth-Century Canvas Painting: Challenges of the Large-Scale Lining, Complicated Tear Repair, and Verification of the Authorship/ Katarzyna DobrzaDska and Magdalena Lentowicz -- 56. An Approach to Conservation Treatment Options for Double-Sided Painted Canvases with Ritual Functions / Filip Adrian Petcu -- 57. The Challenges of Treating and Displaying Two-Sided Oil Paintings / Elena Iurovetskaia, Anastasia Yurovetskaya, Maria Churakova, and Artyom Romanov -- 58. Is Lining Inevitable? Tear Repair of a Seventeenth-Century Canvas on Its Original Strainer / Matthew Hayes -- 59. Magnetic Systems as an Alternative to Traditional Methods for the Conservation-Restoration of Painted Canvas Supports: A Proposal of Minimal Intervention Protocols / Emanuel Sterp Moga and Alicia S̀nchez Ortiz -- 60. Structural Conservation Issues with European Easel Paintings Housed in High-Humidity Regions Such as Mumbai, India / Omkar Kadu -- 61. Termite Attack in a Humid Climate: How to Deal with Damaged Canvases; The Conservation of The Delhi Durbar (1903), a Case Study / Dibakar Karmakar and Baishakhi Mallick -- 62. Investigating Commercially Primed Contemporary Artist Canvases / Anne Carter, Lynn Chua, Filzah Mohd Amir, Ruby Awburn, Gillian Osmond, and Joey Ng -- 63. Stabilization Processing of Canvas Paintings Damaged by Tsunami: Consideration of Blotter Washing to Acrylic Paintings on Cotton Canvas / Yuko Tsuchiya, Eriko Hoshi, Hiroshi Haze, Marie Moto, and Nobuyuki Kamba -- Glossary -- Bibliography. |